'21 done!

Dec. 31st, 2021 08:37 pm
rich_jacko: (iconic)
2021 managed to clear the very low bar set by 2020 (Hey, the only new scar I have this year is a physical one...). We may not quite be back to normal yet - cancelled parties this week have sadly proven that - but we've collectively come a long way and this was the year life began to resume.

I've enjoyed regular meet-ups with friends again, trips to the seaside, a birthday picnic and meal out, the return of parkrun, two big family events/celebrations, my sister/nieces' visit to Sheffield, a trio of major running events, my first holiday away in two years, and a much freer Christmas than last year.

All the best to you all, however you're seeing in the New Year, and may you have a fantastic 2022!
rich_jacko: (Harry Potter)
As was the case in 2020, 2021 was another year in which I haven't read as many books as I normally would. I was puzzled by this last year, given all the tedious extra free time I had. However, I reckon I've cracked the reason now - It's because I've tended to do a lot of my reading on trains and trams, and far less travelling has meant far less reading. However, I have stepped up my reading to something closer to my "normal" two books a month (although a couple of these were short graphic novels and another couple were extremely short). Quite an even mix of fiction and non-fiction this time. I can't be bothered writing mini reviews for them all, but suffice to say I enjoyed nearly all of them a great deal:

  • The Time-travelling Caveman and Other Stories (Terry Pratchett)
  • Peace Talks / Battle Ground (Jim Butcher)
  • Between the Stops (Sandi Toksvig)
  • Notes from a Small Island (Bill Bryson)
  • Transformers: Regeneration One, '84 - Secrets and Lies (Simon Furman et al)
  • Transformers / My Little Pony: Friendship in Disguise (Ian Flynn et al)
  • To be Taught if Fortunate (Becky Chambers)
  • Running in the Midpack (Martin Yelling, Anji Andrews)
  • Sweet, Sweet Revenge Ltd. (Jonas Jonasson)
  • The Blunders of Our Governments (Anthony King, Ivor Crewe)
  • Artemis (Andy Weir)
  • England Your England (George Orwell)
  • No One is Too Small to Make a Difference (Greta Thunberg)
  • Heroes / Troy (Stephen Fry)
  • I am C-3PO: The Inside Story (Anthony Daniels)
  • Piranesi (Susanna Clarke)
  • Pan's Labyrinth (Guillermo del Torro & Cornelia Funke)
  • All on the Board (All on the Board)
  • The Christmas Pig (J.K. Rowling)
rich_jacko: (Rey & BB-8 by Brian Kesinger)
Partway through this year, I decided it would be a good idea to set a "Proclaimers" * running target for 2021. This turned out to be too ambitious, mainly because I decided too late to start going for it. But it kept me doing regular long runs, which was important for event training and keeping up my general level of fitness. I managed 1,350k, which is over 5/6 of the 1,000 mile target, and managed to run 100k+ in every month but one. I'll have another attempt next year but, in the meantime, here's the breakdown of this year's running. I've documented this partly to keep count, but mainly to try to establish a vague sort of running pattern and (hopefully) stick to it.

* "I would run 500 miles, and I would run 500 more..."

January:
Fri 1st - 5k (notparkrun)
Sat 2nd - 7k (4 laps notparkrun)
Sat 9th - 15k (Ooty loop followed by notparkrun)
Sat 16th - 5k (notparkrun)
Sun 17th - 5k (? - didn't start documenting until Feb, and the GPS didn't identify this one)
Wed 27th - 10k (? - ditto)
Sat 30th - 13k (Ooty loop)
Total: 60k

February:
Mon 1st - 12k (Rivelin to Rails Rd and back via Stannington)
Sat 6th - 15k (reverse Ooty loop followed by reverse notparkrun)
Wed 10th - 5k (parkrun)
Sat 13th - 15k (Worrall/Wisewood loop followed by mini Ooty loop)
Mon 15th - 5k (parkrun)
Thurs 18th - 25k (Damflagden via Wadsley Common)
Sat 20th - 14k (notparkrun then Ooty loop with Adam)
Sat 27th - 9k round the park
Total: 100k

March:
Tues 2nd - 5k (parkrun)
Thurs 4th - 6k (mini Ooty loop)
Sat 6th - 8k (3k warmup + notparkrun)
Mon 8th - 12k (Stanington & Rivelin)
Wed 10th - 5k (parkrun)
Sat 13th - 15k (Ooty loop + notparkrun)
Tues 16th - 5k (reverse parkrun)
Sat 20th - 25k (Ooty loop, park loops with Adam, Loxley Valley with Neil)
Thurs 25th - 5k (parkrun)
Sat 27th - 18k (half Ooty loop followed by Rails Road and back)
Total: 104k

April:
Fri 2nd - 12k (Ooty via the Common and back via Beeley Wood)
Sat 3rd - 13k (Our Cow Molly and back)
Mon 5th - 10k (3 laps extended notparkrun)
Sat 10th - 5k (notparkrun)
Sun 11th - 23k (Ughill & back with Jen, Liz and Jenny)
Sat 17th - 12k (Ooty loop + a bit of notparkrunning)
Mon 19th - 11k (Ooty via Long Lane)
Sat 24th - 7k (extended notparkrun)
Sun 25th - 18k (Damflask and over the hill with Jen and Jenny)
Wed 28th - 9k (Ooty loop with Jen/Rich/Jenny/Adam)
Total: 120k

May:
Sat 1st - 5k (notparkrun)
Wed 5th - 17k (Back Edge / Wharncliffe Woods with Adam, Jen and Rich)
Mon 10th - 21k (Back Edge route solo)
Sat 15th - 8k (5 laps notparkrun)
Sun 16th - 10k (Reverse Ooty loop)
Tues 18th - 12k (Rails Road and back)
Sat 22nd - 10k (double notparkrun)
Sat 29th - 11k (reverse mini-Ooty loop + notparkrun)
Mon 31st - 17k (Damflask)
Total: 111k

June:
Wed 2nd - 12k (Mini Ooty loop + parkrun)
Sat 12th - 16k (11k Ooty loop + parkrun)
Mon 14th - 33k (Double Damflagden)
Thurs 17th - 5k (notparkrun)
Sat 19th - 15k (Ooty loop via Worrall + notparkrun)
Tues 22nd - 16k (Rivelin/Crosspool/Uni loop)
Sat 26th - 15k (Ooty loop + notparkrun)
Wed 30th - 5k (notparkrun)
Total: 117k

July:
Sat 3rd - 16k (Ooty loop + notparkrun + extra lap)
Sat 10th - 12k (Extended mini Ooty loop + notparkrun)
Wed 14th - 5k (Tramlines-affected 4-lap parkrun)
Sat 17th - 15k (Loxley with Jen & Jenny + notparkrun)
Tues 20th - 6k (notTramlines notparkrun)
Fri 23rd - 22k (Damflagden)
Sat 24th - 5k (Sheffield Castle parkrun)
Wed 28th - 12k (Rails Road loop)
Fri 30th - 7k (extended notparkrun)
Total: 100k

August:
Mon 2nd - 16k (Out to Dale Dyke via Damflagden)
Wed 4th - 11k (Ooty loop + parkrun lap)
Sat 7th - 42k (1st Hillsborough parkrun + Agden with Jen + Ooty loop)
Wed 11th - 5k (notparkrun before work)
Thurs 12th - 32k (Forge Dam and back, on a Bear hunt)
Sat 14th - 15k (Parkrun + Ooty loop with Jenny)
Mon 16th - 7k (notparkrunplus)
Sat 21st - 5k (parkrun)
Tues 24th - 10k (Ooty loop)
Sat 28th - 7k (parkrun plus)
Mon 30th - 25k (Blue Loop)
Total: 175k

September:
Sat 4th - 7k (parkrun plus)
Sun 5th - 10k (Ooty loop)
Sat 11th - 5k (parkrun)
Sun 12th - 21k (Great North Run!)
Tues 14th - 6k (notparkrun 2 extended laps)
Sat 18th - 24k (Damflagden)
Tues 21st - 12k (Reverse Ooty loop plus)
Fri 24th - 16k (Manchester-Crosspool loop)
Sat 25th - 6k (parkrun plus)
Sun 26th - 26k (into town then Sheffield Half Marathon!)
Mon 27th - 10k (Ooty loop)
Wed 29th - 10k (Mini Ooty loop + extended parkrun lap)
Total: 153k

October:
Sat 2nd - 7k (parkrun plus)
Sun 3rd - 42k (London Marathon!)
Fri 8th - 5k (notparkrun)
Sat 9th - 6k (parkrun plus)
Sat 16th - 11k (Portsmouth Lakeside parkrun + there and back again)
Wed 20th - 10k (Ooty loop)
Mon 25th - 21k (fast Damflagden)
Sat 30th - 5k (damp parkrun!)
Total: 107k

November:
Mon 1st - 11k (Ooty loop + parkrun lap)
Sat 6th - 20k (warm-up laps + parkrun + Ooty loop)
Wed 10th - 5k (reverse notparkrun)
Sat 13th - 5k (parkrun)
Mon 15th - 21k (Common, Loxley, Rivelin, Stannington, notparkrun lap)
Fri 19th - 7k (extended notparkrun)
Mon 22nd - 11k (Ooty loop + a bit of notparkrun)
Thurs 25th - 5k (notparkrun)
Sat 27th - 5k (notparkrunparkslush)
Sun 28th - 11k (Loxley)
Total: 101k

December:
Sat 4th - 5k (parkrun)
Sun 5th - 15k (Percy Pud + there and back again)
Sat 11th - 5k (parkrun)
Tues 14th - 5k (notparkrun)
Sat 18th - 16k (parkrun + Ooty loop with Jenny)
Sun 19th - 19k (junior PR with Toby + Damflask with Jen)
Wed 29th - 16k (Rivelin / Crosspool loop)
Thurs 30th - 19k (Up the hill to OCM then Damflask with Jenny)
Fri 31st - 2k (Final sprint to Stephen's Corner!)
Total: 102k
rich_jacko: (Christmas markets)
Merry Christmas, everyone! Hope Darth Santa brought you lots of fab pressies, that the Force is with you and your loved ones, and you all have a galactically awesome day! :o)

Lego Reindeer Walker and Darth Santa
rich_jacko: (Herd of Sheffield - Small Beginnings)
It's perhaps tempting fate, with a relatively unknown new covid variant now circulating, but I want to record how good it feels, now that social and entertainment events have been starting to get back to normal.

Friday pub socials are now happening two or more times a month, and we're getting a pretty good turnout. It's great to be able to relax and spend time with each other over drinks once again.

Just over a month ago, I went to see Tim Peake talk about his career at City Hall. Much of it was things I already new, but some of it was fresh (I'd never previously thought about the difficulty of getting to sleep in zero-g!), and there's nothing like the personal touch of having Major Tim talk through it all in person. It was basically the best PowerPoint presentation ever!

November saw two big birthday parties on consecutive weekends, for Cis and Liz's 50ths. I only paid a brief visit to Cis's, at Trippets Lounge Bar, but it was great to see so many people there and catch up with faces I'd not seen in a long while. Liz's do, at Walkley Community Centre, naturally featured an enormous buffet, as well as party games and dancing into the night (well, 11pm). I had a wonderful time.

Kids and bigger kids playing pass the parcel Liz blows out the candles Auntie Carey came equipped with party glasses as usual!

A week later, I went with Gillian down to Telford for Wales Comic Con. I'd never have spotted this was on if Gillian hadn't mentioned it to me, and I'm glad she did. We went to a Q&A talk with Doctors 5 through 8, and racked up a few autographs and photo shoots between us. There were a lot of cosplayers to admire too (We were ticking off Doctors). It was a good day out and fairly, if not entirely, successful - The organisation of the event left a lot to be desired and we had a long delay on the trains back. You can read Gillian's post here.

Q&A with the four Doctors Gillian with Dennis Lawson James Masters and me, auditioning for a buddy detective show

On Monday this week, I was back at City Hall for another space-themed show, this time Return of the Jedi in Concert - the film, up on a cinema screen, accompanied by a 70-piece live orchestra. It sounded fantastic, though at times I had to remind myself to pay attention to the live music, not just get lost in the film!

Return of the Jedi in Concert

This coming weekend will also see my final running event of the year, the Percy Pud 10k. This one is a bit of a Sheffield institution. I've never entered it before. The course is through familiar territory, but it'll be a different experience running it as part of a big event, with celebrations (and Christmas puds!) at the finish.

Looking further ahead, I remain hopeful for a much more fun festive season than last year.
rich_jacko: (River Tam XKCD)
Wow, it has been a very long time since I last posted one of these, hasn't it? Better catch up...

Another round - A Danish film about alcohol addiction that could never have been made in America. The excellent Mads Mikkelsen stars as Martin, who, along with several mates, experiments with the idea that maintaining a blood alcohol level of 0.05% makes humans more relaxed, creative and better at their jobs. Perhaps not the best idea, when their jobs are as school teachers and they are all (to a greater or lesser extent) going through various mid-life crises. This is billed as a black comedy, and it's certainly that, but there are scenes of tragic drama intermixed. It's a film with an ambiguous message, both celebrating the delights of social drinking and warning of the destruction caused by alcoholism. Funny and thought-provoking at the same time.

Jungle Cruise - Imagine a mash-up of Raiders of the Lost Ark and the first two Pirates of the Caribbean films, and you've got a pretty good idea of this gloriously silly adventure. Though even that won't prepare you for the incongruity of Metallica playing over the Disney Castle tag at the start. Set in 1916, Dwayne "The Rock" Johnson, Emily Blunt and Jack Whitehall join forces to battle a German submarine crew and undead Spanish conquistadors as they search the Amazon for a magic tree. No, really. If you like your movies big, loud and cheesy, full of terrible puns and completely implausible action scenes, this is for you. It's a great example of summer blockbuster entertainment, with such likeable characters and such a sense of fun, you can happily accept all its silliness.

Free Guy - A post-Ready Player One adventure in which Guy (Ryan Reynolds) comes to realise his whole life is just a video game, in which he's merely a background NPC. There's shades of The Matrix as well as The Truman Show, but this isn't really a profound commentary on the nature of existence. It's a goofball action comedy, buoyed along by Reynolds's inherent likeability and a fun supporting cast, including Jodie Comer (as the PC object of Guy's affections), Lil Rel Howery (as his best buddy cop) and Taika Waititi (as the unstable CEO of the game company). It's a lot of fun, boosted further by some fun references to varius franchises (no licensing issues due to Disney owning pretty much everything these days!).

Censor - A British psychological horror, which starts out more intriguing than it ends up. Enid Baines (Niamh Algar) works as a film censor. While reviewing a horror film by Frederick North (Adrian Schiller), she notices close parallels with her sister's disappearance many years earlier, when they were children. Enid determines to find out what happened and whether her sister is alive. But North seems to be playing a twisted game with her. As investigation turns to obsession, Enid starts losing her mind. As the film goes on, it starts to resemble more and more the slasher films Enid censors for a living, and it becomes increasingly unclear what is "real" and what is in her head. Unfortunaltely, this results in the film degenerating into a bit of a mess. There are some clever and original ideas here, but it doesn't quite hang together.

Candyman - Jordan Peele (of Get Out and Us fame) brings us a reboot / sequel to the early '90s slasher that got us all scared of looking in the mirror. In a very efficient 91 minutes, Peele brings the haunted neighbourhood up-to-date, recaps the entire supernatural myth of the original, adds new twists, including his signature brand of horror-as-allegory-for-racism, starts the killings all over again, and takes his new lead characters (artist Anthony McCoy (Yaha Abdul-Mateen II) and his gallery director girlfriend Bri Cartwright (Teyonah Parris)) down a very dark path in the final act. The film as a whole is scarier than it's titular hooked bogeyman, whose plight we get to sympathise with, but I'm still not going to say his name...

Shang-Chi and the Legend of the Ten Rings - Marvel's "Phase 4" gets properly underway. It starts out with the familiar martial arts film set-up of an ordinary guy, doing an ordinary job, getting caught up on the receiving end of a criminal gang plot and fighting his way out. Sure, there's a fantasy backstory and magical MacGuffin, and the fight sequences are the heightened choreography you'd expect, but we're reasonably grounded in the real world. Fast-forward two hours and we're in a fantasy location, dealing with huge armies (all armed with magical weapons) battling each other and giant monsters over the fate of the world. None of it goes further than many other Marvel films, and it may just be me, but I found the genre-shift jarring. On the plus side, the lead duo of Shang-Chi (Simu Liu) and Katy (Awkwafina) work well together and there's the welcome surprise return of a few minor MCU characters.

The Green Knight - This is a weird, weird film. Dev Patel stars as Sir Gawain, committed to seeking out his own doom at the hands of the titular Green Knight, after taking on a reckless challenge at court. Along his quest, he encounters strange people and even stranger phenomena. This isn't, in any way, an action film; it's all about mystery, introspection and symbolism. Patel does a good job in bringing humanity to it, which is a good job, since the film is largely him on his own. I can't recommend it though. It's what, in Film Unit, we used to refer to as an "arsehouse" film - one which is arthousey and adored by critics, but is so far up its own arse, it's an impenetrable bore for ordinary viewers. I found out later it's actually surprisingly accurate to the legend, although the ending has been tweaked to make it unnecessarily (even more) confusing.

No Time To Die - Daniel Craig's final Bond outing, and it just about lives up to the hype after all the long, long delays. From the action-packed opening chase, to a fun infiltration of a Spectre gathering, a suitably-OTT doomsday weapon, and a showdown on an island lair, this is big Bond action as we know and love it. But it's also much more character-driven and breaks a few Bond conventions along the way. This is mostly for the better, although it leaves the villain with little chance to shine, and the biggest break in convention felt too forced for my tastes. The 163m running time is definitely excessive - there are too many minor characters clogging up the plot, and at least 30 minutes could've been cut out of the baggy second act. Not up there with Skyfall, but certainly better than the rest of Craig's run in the role.

Dune - It's a long time since I read the book, but this feels like a good adaptation. It's pretty faithful, and the few changes (mostly) make sense for the screen. The casting is brilliant: Timothée Chalamet makes a moody Paul Atreides, along with Jason Momoa (Duncan Idaho), Josh Brolin (Gurney Halleck), Rebecca Ferguson (Lady Jessica), Charlotte Rampling (Reverend Mother), Oscar Isaac (Duke Leto), Stellan Skarsgård (Baron Harkonnen), Dave Bautista (Beast Rabban) and Zendaya (Chani). My one quibble is (like Denis Villeneuve's other recent sci-fi, Blade Runner 2049) there are far too many long, ponderous shots with nothing happening and REALLY LOUD MUSIC to remind you you're watching an epic. You need some of that to add grandeur, but you don't need it slowing down what felt like *every* *single* *scene* of the film. They fit 2/3 of the book into this "Part 1"; with a bit of editing they could have done the whole thing.

The French Dispatch - Wes Anderson does more of what Wes Anderson always does, with this quirky collection of three loosely-related stories about an American publication in a mid-20th Century French town. As usual, he has assembled an incredible cast, chief among them Frances McDormand, Adrian Brody and Bill Murray. If you're not a fan of Anderson's voiceover-driven montages, deadpan delivery, and very staged, theatrical shots, this isn't going to win you over. Even as someone who normally loves his work, I fear he may have gone slightly too far this time. The stories and characters are all interesting enough, but I felt too far removed from them as an audience to really engage. It's not bad by any means, but not one of his best. For major WA fans only.

Venom: Let there be Carnage - I didn't see the first Venom, but this one got better reviews and looked fun. It is. Tom Hardy and Woody Harrelson face off as Eddie Broak and Cletus Casady, two guys stuck sharing their bodies with murderous alien symbiotes. Michelle Williams and Naomie Harris play their respective love interests (the latter almost as psychotic as the aliens). That's about it. Okay, so there's a bit of plot about journalist, Eddie researching serial killer, Cletus's backstory, but essentially this is a tight 97-minutes of pure comic book entertainment, ridiculous action sequences and even more ridiculous arguments between the symbiotes and their human hosts. It pretends to be nothing more, and is a lot of brainless fun.

Last Night In Soho - Writer/director Edgar Wright is on top form yet again with this stylish, time-jumping thriller. Eloise (Thomasin McKensie) is a shy fashion design student, out of her depth in the big city. She is also psychic and, at night, finds herself slipping back in time and reliving the life of Sandie (Annie Taylor-Joy), a wannabe singer in the Swinging Sixties. At first, Eloise enjoys the sights, sounds and escapism, but then Sandie's relationship with Jack (Matt Smith) takes a darker turn, and her nighttime visions start to bleed into her waking days. For all the supernatural elements and full-on slasher final act, it's the human evils of misogyny and sexual exploitation which create the most disturbing scares. But Wright isn't interested in setting the world to rights, just putting his characters through the mill. Style and atmosphere abound, with a wonderful soundtrack, as you'd expect from Wright.

Eternals - The critics have panned this, but I actually enjoyed it more than Shang-Chi, which they loved. Go figure. Yes, the concept is very "out there", featuring giant celestials and main characters older than human civilisation. It's also true that it's a very busy film, with a lot of characters and backstory to take in. But writer/director Chloé Zhao keeps it all grounded in the drama of these characters. They may be superpowered and immortal, but they have a vulnerability and humanity which helps us connect with their trials and tribulations. Top marks also for their unremarked-upon diversity. Like all Marvel films, it mixes action, humour and drama, and plays a lot of the tropes, but it feels fresher than most recent MCU entries.

Ghostbusters: Afterlife - Jason (son of original director, Ivan) Reitman brings us essentially a love letter to the original 1984 movie. Following Egon Spengler's death, his estranged daughter and grandchildren trek out to the farm where he lived out his days. But there's something strange in the neighbourhood... The familiar score brings back the '80s nostalgia, as does the set-up, "misfit kids investigate spooky goings-on in small town, rural America" (with more than a hint of Stephens King and Spielberg). It's not an outright comedy like the rest of the franchise, though the dialogue provides many chuckles. The critics are unimpressed and, to be fair, there are flaws. It takes too long to get going and token adults, Carrie Coon and Paul Rudd, don't have enough to do. Fortunately, the young leads (Young Sheldon's Mckenna Grace, Stranger Things' Finn Wolfhard, Logan Kim and Celeste O'Conner) all do a sterling job - Grace in particular, and it's a joy to see a film with a science-obsessed, mildly autistic lead heroine.
rich_jacko: (eclipse)
Last week, I finally managed to get away on holiday, for the first time in over 2 years! This was my post-running events reward to myself, and it was badly needed. A solo trip this time (group holidays planned for next year), and I managed to pack quite a bit in, as is my usual way with these things.

I chose Portsmouth as my base, and managed to cram quite a lot in, spending three days there and three days on trips to surrounding places. This worked pretty well, although I could've easily filled another week. Just in Portsmouth itself, there was a D-Day museum, aquarium and Charles Dickens' birthplace I could've visited if I'd had more time, and other day trips could've taken me back to the Isle of Wight, to Winchester, Bournemouth or Chichester. But I was selective, and chose the highlights I really wanted to visit.

This wasn't a holiday entirely free freom covid restrictions - a few visits needed to be booked in advance, and there was the usual constantly thinking about hands/face/space - but it was relaxed enough to feel like a normal holiday. As a curious observation more than anything else, I noticed mask-wearing on public transport was around 5%, whereas mask-wearing around historic attractions was more like 95%.

I'd chosen a mix of indoor and outdoor activities, but the weather was very kind for October (often cloudy, occasionally drizzly, but overall dry, mild and frequently sunny for the time of year). I was able to enjoy the weather quite a bit, as my holiday wasn't all manic. There were plenty of gentle walks and time sat, enjoying the sunshine. On my "Portsmouth days", once I'd finished sightseeing for the day, I took myself down to the beach and went for a swim in the sea. From this I learned two things:

1) Shingle beaches are good if all you want to do is swim, as you don't have the problem of wet sand sticking to you afterwards.
2) Sea swimming in October is totally doable. The sea has yet to cool down, and the difference between the water and air temperature is probably about the smallest it gets, which makes getting in and out less painful!

On the theme of relaxation, my non-Portsmouth days meant I had plenty of time to sit back and read my book on various trains. Evenings, on the other hand, don't really work when you're holidaying on your own. I get self-conscious dining out alone. Although I did treat myself to a nice restaurant one day, most of the time I was grabbing dinner on the pier, at a bar or something to eat on the train. And there wasn't much to do with the rest of the evening, once I'd eaten. This was fine though - I got into a pattern of early to bed (10pm or thereabouts), early to rise (7ish), which allowed me to make the most of the dwindling daylight hours and the times the attractions I wanted to visit were open.

My hotel was good too, comfortable and with a lot of the old-fashioned charm which is missing from soulless modern chain hotels. The staff were cheery, the room was comfy and the breakfast was great (I worked my way through all the cooked options over the week). I quickly figured out a half hour walking route to Fratton (nearest station) and another, more scenic half hour walk along the seafront to the old town. Being just across the road from the beach was also a bonus. :o)



Saturday 9th October - Mostly a travel day, with a 4 1/2 hour train journey after doing my usual parkrun in Sheffield in the morning. I arrived at Portsmouth just as the sun was setting, checked into my hotel and went out and got fish & chips.



Sunday 10th October - I like to explore my surroundings on the first day of a holiday, so this was a day for exploring Portsmouth. Portchester Castle and the Spinnaker Tower were on my list of things to do today. The castle is seriously old - a mix of Roman and Norman - and I spent a while there. Spinnaker Tower, on the other hand, took about 15 minutes, since all you're doing is going up to look out the windows. It's impressive (and one of those windows is in the floor, looking straight down!), but felt expensive for what it was.

I wasn't planning to visit them, but happened to walk past Portsmouth Cathedral and Southsea Castle, so figured I might as well and had a quick look around inside both. I had a late lunch at the café in the castle courtyard. I walked all along the seafront and had a swim in the sea, before finishing the day watching a spectacular sunset from a bar on the seafront (as well as spending a ridiculous 4 hours waiting in the online queue for Percy Pud, but let's not talk about that).

Southsea beach Portchester Castle view from the castle keep
Spinnaker Tower View of the harbour from the tower Braving the glass floor
Portsmouth Cathedral Southsea Castle spectacular sunset




Monday 11th October - My first day trip beyond Portsmouth. I took the hovercraft (which was awesome, if only for the novelty factor) across to the Isle of Wight (cue jokes about having a "ticket to Ryde"), then a bus to Osborne House, on which I got chatting to an American family who'd joined me at the front of the top deck so their son could "drive" the bus - good to see some things are universal!

It was a lovely day (my photos don't really do it justice) and Osborne was resplendent in the sunshine. I can see why Victoria loved it so, especially when I took the walk the royals would've taken down to their private beach (I paddled). It feels very much like a family retreat rather than a palace, albeit on a scale you or I could never afford. I looked around inside the house and fully explored the grounds (including a Swiss Cottage designed by Prince Albert for his kids, and an underground ice store) before heading back to Ryde. There I wandered along the beach and the pier for a bit before taking the hovercraft back.

It was another impressive sunset so, rather than go straight back to my hotel, I walked over to the city centre. I ate out there and saw the Spinnaker Tower lit up at night (which I'd also wanted to do, having seen it from a distance the day before), before heading back.

Hovercraft! selfie at Osborne House the gardens at Osborne House
Royal family's private beach Swiss cottage designed by Prince Albert Ice house at Osborne
Ryde pier Sunset over HMS Warrior Spinnaker Tower by night




Tuesday 12th October - My second day trip, a train journed to Arundel this time. The highlight was obviously the town's famous landmark, Arundel Castle, which looms high on the hill during the mile or so walk from the station to the town. Like the similar castles at Windsor and Warwick, Arundel is a hybrid of Norman motte-and-bailey remains and much later stately home. The gardens open before the keep, which in turn opens before the house, so that determined my order of doing things. Some of the rooms are monumental, the chapel, Barons' Hall and dining room in particular, but feel strangely cold. The library was my favourite room. This was the first (but not the last) time I experienced the drawback of going on holiday during term time - there are visiting school parties everywhere!

After the castle, I still had time to visit the small town museum, the 19th century Catholic Arundel Cathedral and take a walk around Arundel Park, taking in Hiorne Tower (built as a test project for the castle, and featured in Doctor Who), a valley full of grazing sheep and Swanbourne Lake.

Arundel Cathedral seen from the castle gardens improbable tree stump view from Arundel Castle keep
Arundel Castle library Arundel Castle in the sunshine inside Arundel Cathedral
Hiorne Tower on the castle estate boats and birds on Swanbourne Lake Heron!




Wednesday 13th October - This was my second full day in Portsmouth itself, and it was time to visit the city's main attraction - the Historic Dockyard. There is a phenomenal amount of stuff to see and do here, far too much to cram into a single day - so it was just as well (a) they offer free return for a year; and (b) I had no plans for Friday. I went around HMS Victory, the Victory Gallery, the Mary Rose (which was an eerie experience, due not just to the nature of the wreck itself, but the way it's presented, in low light alongside a reconstruction featuring artifacts retrieved from the wreck and audio/visual projections), a harbour tour (which focussed on how this is still the UK's main working naval base - impressive to see HMS Prince of Wales moored up, with the Navy busy at work on her), Boathouse 4 and (about half of) the National Museum of the Royal Navy. All that, and I still felt I'd barely scratched the surface!

The dockyard closes at five, so I couldn't have seen more if I wanted to. After that, I walked back along the coast to Southsea, where I had another short swim in the sea before dark. I also treated myself to a nice Italian meal out at Soprano's, which had been (deservedly) recommended by my hotel.

V for Victory! cannon deck on board HMS Victory HMS Victory
Charles II's royal barge remains of the Mary Rose HMS Prince of Wales
HMS Dragon - as seen in the Bond film turbine blades loaded for shipping inside Boathouse 4




Thursday 14th October - Another day trip, this time to Brighton, which is surprisingly hilly for somewhere right on the coast. The main p(a)lace I wanted to visit here was, of course, the Royal Pavilion. It's definitely unique - an Indian-inspired exterior constructed in iron over an older country house, with a Chinese-inspired interior festooned with dragons in every room. The three main showcase rooms (banqueting, music, saloon) are eye-catching and ostentatious in all the ways the rooms at Osborne are not; certainly a contrast. It's a building to admire rather than to love. Viewing the outside was slightly marred by the construction site for a Christmas ice rink right in front of the pavilion, which obscured my view and meant a large part of the grounds was closed.

I had a walk along the seafront to look at the fire-twisted remains of the West Pier, the i360 tower (although I didn't go up in it, having already forked out for the Spinnaker earlier in the week) and the remaining Palace Pier, repeated star of the silver screen. I quite wanted to visit the Sea Life Centre (the oldest in the world) too, but it closes at 4pm and, by the time I'd finished my fish-and-chips-on-the-beach, there wasn't really time, so I whiled away a lazy rest of the afternoon on the beach and the pier, before catching the train back. It hadn't been the most successful day of the holiday, but it was still a good day out.

remains of Brighton West Pier access denied Upside-down House
Brighton Pavilion the newly-restored saloon dragon chandelier
Brighton Palace Pier sun-soaked fairground at the end of the pier Soundwave!




Friday 15th October - A second visit to the Historic Dockyard, to see (most of) the attractions I hadn't been able to fit in on Wednesday. This time I looked around HMS M.33 (a "lucky" survivor from the WW1 Gallapoli campaign, mostly taken over by a school party while I was there, searching for the cat-flap!), the Dockyard Apprentice exhibition, the HMS Invincible: Diving Deep exhibition, a short boat trip across to Gosport to see a bajillion things at the Royal Navy Submarine Exhibition and finally the imposing HMS Warrior (a state-of-the-art ironclad warship, designed to look like an old-fashioned sailing vessel, in the way only the Victorians could). I still didn't get around everything before the place closed, but I'd pretty much seen all I wanted to see.

I enjoyed a lazy stroll back along the seafront and a final dip in the sea. Well, more than a dip - I was in the water about 25 minutes and only got out because my feet were starting to go numb. Worth it though. After a warm shower, I ventured out again onto the pier at night and ate pizza while watching the waves crash against the shore. It had been a good holiday.

HMS M.33 on board HMS M.33 taking the Waterbus to Gosport
HMS Alliance sleeping quarters on board HMS Alliance up to the hatch
HMS Warrior HMS Warrior boiler room South Parade Pier by night




Saturday 16th October - Before I left, there was just about time to squeeze in a bit of parkrun tourism at Portsmouth Lakeside. I spent a while agonising over the logistics, as it was a bit of a rush and involved local trains, but it worked out okay. I'd originally planned to do Southsea parkrun, which starts just over the road from my hotel. Ironically, that parkrun was cancelled due to the Great South Run, which I hadn't known was even a thing when I originally booked this holiday. Still, Lakeside was a prettier and more interesting course, and I got back in time to see the GSR 5k first man and first lady cross the finish line. I also managed a quick last walk on the beach before going back to shower and change, checking out of my hotel and taking the five hour train ride home.

selfie at Lakeside parkrun first male finisher - GSR 5k a last stroll on the beach
rich_jacko: (Avatar)
I went onwards to London last Saturday for charity run number 3, the world's biggest marathon.

I expected registration on Saturday to be stressful, and it was. Unlike other events, where your bib number is posted to you beforehand, for this one they posted out kitbags. You then had to drop these off at the ExCeL Centre, choose your finishing t-shirt, register and collect your number. Supposedly this was for covid reasons, to reduce the crowding of thousands of people together on race day. If so, it was a miserable failure. All it did was move the crowd indoors and a day earlier. Social distancing was impossible; you just had to trust a combination of luck, vaccinations and the requirement for everyone to have a negative lateral flow test in the two days beforehand. I suspect the real reason for this bizarre set-up was to influence people to buy stuff at the ExCeL's marathon show. I didn't go to the show. I was sufficiently freaked out, by the crowds on the Tube and while waiting in various queues for an hour, that I just wanted to get out as soon as possible.

After that, it was back to my hotel in Canary Wharf, where I'd literally only had time to check in, drop my bags and go, for a more chilled evening and an early night before the big race. The 18-mile marker was just outside the entrance, giving a taste of things to come. The weather was absolutely chucking it down, thankfully not giving a taste of things to come.

I woke as dawn was breaking on a crisp, dry and chilly morning - near perfect running conditions again (I've been so lucky with the weather across all three events!). After a sensible, carb-oriented breakfast (must resist having lots of bacon and sausages...), I hopped onto the DLR to Greenwich and made my way through the park to the start line. I was in the green starting zone, which was the smallest of the three, and had less of the excitement than the red zone, where all the TV cameras were. It was cold, waiting to begin, and I was glad I'd brought a foil blanket with me. It was nice to chat with other runners during the long, last-minute queue for the loos and while waiting in our holding area. I spoke with those hoping to go sub-3h30m, those doing their first or fifth marathon, and found myself stood behind the start line next to six people about to break a world record, dressed as Colin the Caterpillar. I love the dichotomy between all the different stories and challenges people have set themselves, and the way running events are such a communal, shared experience. Mind you, everyone in our holding area exclaimed, "What!?" at the guy being interviewed on the big screen for running 48 marathons in 30 days. That's just ridiculous!


As with the Great North Run, the wave starts and absence of spectators at the start line meant it didn't feel like a huge moment. I was mostly just eager to get going (and get warmed up!). It was fairly big though, being called forward with 1,000 other participants, hearing the airhorn, then all crossing the line in our three-minute window. The mass start times were spread over two hours, rather than six, as they had been in Newcastle, making for a much busier start. For all the chaos of Saturday, the organisation on the day itself was faultless, so full credit and thanks to all the organisers and volunteers (who, of course, I thanked along the way). Marshalling the runners, helping people cross the roads around us, manning the drinks and energy stations - all of these were vital jobs. Even if the road around the Lucozade hand-outs did feel rather too much like trying to run on the floor of the Roxy disco.

The early part of the run was all about not charging off too quickly and finding a comfortable pace. Easy enough, though it was tempting to go speeding ahead during the downhill mile 3. Greenwich, for the most part, looks like a residential part of any major city - normal roads, lined with houses, shops and the occasional park. It was easy to forget this was the London Marathon. Also, the 12-year-old me enjoyed sniggering at the marshalls stood either side of every speed bump, shouting "Hump!" enthusiastically and repeatedly as a warning.

As we merged with the red zone starters at the end of mile 3, the numbers grew and it began to feel more like a major event (I couldn't resist shouting, "Come on, you reds!" when they first emerged on the other side of the carriageway, divided from us "greens" and "blues" for a short stretch by the barrier). Then, just past the 10k mark, came the first iconic London Marathon moment - the tight loop around three sides of the Cutty Sark. The crowds here were enormous and gave everyone great support. If you want to know why mass running events are addictive, think about having thousands of people lining the streets, cheering you on. It was like that all the way around (easily the equal of the Great North Run), but nowhere moreso than there at the Cutty.


Almost as if it's the world's biggest parkrun, a marathon is mostly "a run, not a race". The camaraderie and support all the runners give to each other is fantastic. It may be different for the very elite, but us mass runners are mainly focussed on our own run, rather than jostling for position. Every one of us know how much training needs to go into running this distance and have enormous respect for one another. Especially so for those taking on the extra challenge of running in fancy dress. Those runners attract more attention from the crowds, but you can't begrudge them any of it - it's hard enough running 26.2 miles in clothes designed for running in; doing it in a bulky, hot and heavy costume isn't something I'd want to do. As well as the aforementioned Colin, along the way I saw a rhino, an elephant, a stormtrooper with a feather boa, a tractor, a bride and groom pairing, a three-legged pairing, Spider-Man, Batgirl and a giant brain. You cheer them all on, just as much as the crowds do. As I and a couple of other runners passed a guy clomping along in full ski boots. As one, we did a double-take and complimented him, "Well done, mate!" As the event's tagline says, #WeRunTogether.

Beyond the Cutty, the next few miles were uneventful and I got properly set into my rhythm. This wasn't a run I needed to think particularly hard about. There weren't the constant undulations of the Great North Run, or the massive uphill slog of the Sheffield Half. This was mostly flat all the way. It was just a case of finding a comfortable pace I felt I could keep up forever (the distance is too far to be thinking "Well, I can push for this long before I start to tire) and making sure I broadly stuck to it. This was quite easy given the number of other runners to pace against, and I found myself slipping into something of a zen-like state. Beyond that, the sum total of my strategy involved regular sips of water and energy bars after 15k and 30k. A shorter run, such as a 5k or 10k is all about speed and managing your heart rate/breathing; a marathon is all about going the distance and managing your energy/hydration levels and your legs. Every mile and every kilometre of the course was marked out (most events mark out either one or the other), which provided plenty of markers to reassure us all we were making continuous progress. I kept reminding myself, £17 per km - that's how much money I was raising for charity, and it seemed like a pretty good deal. I was definitely achieving something here. Thank you once again to everyone who has sponsored me over these events.

The biggest progress marker of all was Tower Bridge. I knew it was coming up, from passing the 12-mile marker, but it was still quite something to turn the corner and see the road stretching up to it. It was the only really noticeable uphill on the entire course, but the sight of the bridge gives you such a boost, you don't care. The crowds were in full force here too, and running across such a landmark was just as iconic a sporting moment as crossing the Tyne Bridge had been in Newcastle. In London, the bridge has the added significance of meaning you're nearly at the halfway point. This was one of the most exciting bits of the course - in quick succession, you run over the bridge, past the Tower of London, join a mile-and-a-half stretch of watching elite runners passing in the other direction (the fast club athletes, by the time I got there; the Olympians were long gone!), and hit the halfway point.


After that, it was into the winding slog around Canary Wharf and the Isle of Dogs. Not that it was terrible, but this was definitely the least fun part of the course. You lose track of where you are, it goes on for seven miles before you rejoin the carriageway in the other direction, and this is the point in the run when you're starting to seriously tire. And I had to run past my hotel, knowing I still had eight miles to go until the finish line. This whole section was not helped by (a) the sun starting to beat down hard - thank heaven for the shade from tall buildings; or (b) my Garmin watch losing GPS position - curse you, shade from tall buildings! The resulting garbage pace information (16min/km one minute; 3min/km the next - Go home, Garmin; you're drunk!) made it harder to concentrate and stick to my pace. But I got through that long section, and the 32k marker was another significant psychological boost - just over 10k to go and, unlike my previous marathon two years earlier, I was still going strong at this point. Don't get me wrong. It was hard work, I was tired and ready for it to be over soon, but I was still running well. I hadn't had to stop or walk so far and it was around this point I set myself the target of keeping that going until the finish line.

At 37k, I passed that all-important "only a parkrun to go" moment and entered very familiar London territory. There wasn't just an arbitrary distance to the finish line any more; it was a route I knew well. (Well, perhaps not running through Blackfriars Tunnel, but generally.) This was the first and last moment during the run that I had a serious think about my finishing time. Having established I wasn't going to break sub-3h45m (a possible goal I had going in), but nor was I going to be slower than 4h, unless anything went badly wrong in the last stretch, I dismissed such thoughts again and just concentrated on making it to the end without breaking stride. Others were slowing around me at this point. I tried to encourage them along where I could, but I was too tired to shout very much.


Along the Embankment, past the 25-mile marker - I could feel the end was near as I passed the corner of Westminster Bridge and Big Ben, 1,200m to go... Up past Whitehall, along Birdcage Walk and alongside St James's Park - it's just name-dropping landmarks at this point. This was it, the third and final big iconic section (after Cutty Sark and Tower Bridge) leading up to the finish. The signs marked 600m to go... 400m to go... I rounded the corner past Buckingham Palace (noting the Union Jack flying; Her Maj wasn't in!) and saw the finish up ahead. I got a boost from hearing the announcer talking about everyone coming in now achieving a finish in under 4 hours. It was in the bag at this point and I didn't have the energy for a sprint finish. Along with a couple of others, I spread my arms wide, soaked up the atmosphere and let myself relax a little, just enjoying cruising the final straight up The Mall and across the line. A finish time of 3h52m26s. I'll happily take that.


I paused for a selfie (getting out of the way of a runner dressed as a tree, who was doing the same), collected my kit bag, then went to join the park full of runners collapsed on the ground, to rest my weary legs, have a snack and a drink, and catch up on messages - lots of good luck messages from friends and family, as well as congratulations from those who'd been following my progress online. In my goody bag, as well as the extra layer and food items I'd added, there were much-needed bottles of Lucozade and water, a hefty finisher's medal and the brightest finisher's t-shirt I've ever earned. It'll certainly be handy if I go jogging at night and need to be seen... from orbiting satellites.

Eventually I struggled back to my feet. This was hard. I gave the corporate stalls a miss, but cheered on the people who were still running as I made my way back to the Tube. Having been lucky with the weather so far, the heavens now opened for a brief deluge. I got wet, but mainly felt sorry for those still out on the course. It felt nice to be treated like royalty by the Underground staff - a finisher's medal got you a "Well done!" and free passage through the barriers. Random passers-by also paused to congratulate anyone wearing a medal. There were still runners passing by my hotel when I got back, and the sun was out again, so I stopped to cheer them on before retiring to my room. The remainder of the day saw me attending to my aching body, phoning Mum and Dad, taking advantage of the hotel pool and sauna (Bliss!) and staggering out as far as Nando's for food replenishment. After which I went to bed at quarter to nine and slept for ten hours.

I felt stiff and sore on Monday morning, but triumphant. I made further use of the pool and sauna, and was able to make full use of the breakfast offer, without having to worry about running. There were several other runners staying in the hotel, so lots of mutual congratulations and swapping notes on how we'd done (a near clone of Dave R had run it in under 3h30m). I checked out, popped briefly into our London office to pick up my new security pass for work (None of my colleagues was in) then joined the queue for medal engraving outside the New Balance shop on Oxford Street.

I was expecting to have to wait, but I spent almost as long waiting as it took to run the marathon. I'm not even exaggerating; I was stood in line for about 3h45m. Not what your legs need the day after running 26.2 miles. Luckily it was a fine day and I had a book to read (thank you, Stephen Fry!) but still, had I known it would take that long, I probably wouldn't have bothered. The people doing the engraving were lovely and friendly, but there really needed to have been more than two of them. Negative marks for post-event organisation, just as with the pre-event arrangements. As a result, I missed the last super off peak train back by about 20 minutes, and spent 3 hours waiting around Kings Cross - St Pancras. I bought books, beer and pasta to pass the time, and eventually made it home around a quarter to ten. I was very glad I'd booked the following day off work as well.

Despite such occasional setbacks, it had been a triumphant trip. And let's not forget I wasn't just doing this for the challenge, but to raise funds for the National Autistic Society. My sponsorship page remains open for anyone who still wants to donate - I know some people have qualms about donating until after the event ;o)


What next? London has given me greater confidence in running marathons, so I doubt it will be my last. At York, I started too fast, hit "the wall" around 30k and half-limped to the end. I made none of those mistakes this time around and kept running throughout, at a satisfyingly consistent pace. Yet my finish time was around 2 minutes slower than York. Did I err the other way, and pace myself too cautiously? I feel I've got a sub-3h45m in me; I only need to shave off 11s/km. Not next year though, as I want a break from marathon training over the summer. Maybe in 2023...
rich_jacko: (Herd of Sheffield - Small Beginnings)
Yesterday was the second event of my charity fundraising triple, the delayed 2020 Sheffield Half Marathon. (Look out for me crossing the start line at the very end of the video at that link!)

This was logistically the easiest of the three, being my local event, so no need for an overnight stay - just a 5k warm-up jog from home to the start line in the city centre! Running-wise, though, it's by far the steepest of them, with a ridiculous uphill climb for the first six miles. I've got the measure of it now, having run this event twice before, but there were several points I thought to myself, "Why am I doing this again?" Then I got to mile 7, with its stunning views from the top of Ringinglow, and massively enjoyable downhill sweep back into town, and I remembered, "Oh yes, this is why!"

I was maintaining pace with several other runners around me, including the 1h45m pacers, for much of the race. It was interesting chatting with those who'd run the course before and knew what to expect, versus those who hadn't, though everyone did really well and I hardly saw anyone give up and walk up the hill. I noted smugly to myself the points where I'd had to walk the first time I ran this event, and was pleased with my running progress that I no longer need to.

As an event, this was far smaller than the Great North Run, of course - a mere 3,792 runners, rather than 57,000. The crowds weren't quite out in the same force, with lots of gaps along the way but, where they were gathered, they made plenty of noise and gave lots of encouragement. One feature I really liked was that the finish line commentator obviously had access to all the chip data as runners neared the finish, and called out every single name for the crowd to cheer us across the line. That was a lovely touch that I haven't seen at any other running event.

I'd dampened down expectations of another fast time, being aware of the hill, needing to save myself for London, and because of how muggy the weather had been. As it happened, there was a nice breeze for the second half of the race and I'd forgotten how much fun the last few miles can be. I'd have been happy with sub-1h50m but, in the end, I finished in just 1h40m32s - only 2 minutes slower than my GNR time and a new PB for the course.

26.2 miles of my fundraising challenge done; 26.2 miles to go. Now I have less than a week to recover before the big one...

With my medal after the finish
rich_jacko: (Rey & BB-8 by Brian Kesinger)
On Sunday, I took part in the 40th Great North Run. I joined 57,000 runners, including the best in the world. The run was broadcast live in 127 countries and was the first major event of its kind anywhere since the pandemic began. It was a brilliant experience and the most fun I've ever had running a half marathon.

I'm really glad about that, because I turned down a holiday in Wales with friends to run in this event. I'm not going to speculate which I'd have enjoyed more, because that's a really counterproductive way of thinking. But it was a major running achievement which will stay with me. Plus I have (at the time of writing this) raised £1,286 for the National Autistic Society, which counts for a lot.

The event took up pretty much my whole weekend. After parkrun (of course!), I only had a little while to pack before catching the train up to Newcastle. I checked into my hotel, took a walk out to the Town Moor (to be aware of my route to the start line the next morning) and along the Tyne (to admire the bridges), and then there was only time for dinner, watching Emma Raducanu win the US Open (along with half the people in the hotel, it seemed, and trying to get a bit of sleep before the big day.

I didn't sleep much. But I had a good hotel breakfast and made my way to the start in plenty of time. The weather was pretty much perfect - cool and cloudy. I was glad the heatwave had passed! My worries about finding my way past the road closures were unnecessary - I just followed the growing crowd! Social distancing (of sorts) meant there was a rolling start. The race officials called all the orange waves forward together (I was meant to be in orange wave 6 of 8), which meant I ended up starting 20 minutes earlier than I expected to.

The start line itself was a strange non-event. No waiting, no countdown, no crowds, no announcement or airhorns. There was plenty of all that on the way across to the start line, but the start itself saw us all weaving through metal barriers, which seemed like they were put there to trip us up, but were actually a clever way of spacing everyone out. I emerged from that obstacle course and, oh look, I guess we're starting running now!

Once around the first bend, the crowds started lining the roads to cheer everyone on. They didn't stop all the way round. The atmosphere you get from road races like this is something special, and the buzz you get from doing it with thousands of other runners just adds to that feeling. I hadn't realised how much I'd missed it until just then. I've cried at the end of a long run before now, but this was the first time I'd felt myself begin to get teary right at the start. I think I went around the entire route with a big grin on my face.

On runs which aren't the world's biggest half marathon, you get crowds like that at the start and finish, with long stretches in the middle where there aren't many spectators and the runners themselves thin out a little. Not here. The biggest gap in the crowd was maybe 100m or so. There were ordinary people lining the roads, charity stalls (I made sure to look out for and wave to the NAS one at miles 3 and 9), live music and more. The only thing I missed out on was seeing the Red Arrows flying overhead (Going by the TV coverage, I think they must've flown over about when I was at the furthest point of the route.) While it was nowhere near as heaving as the aerial shots I've seen of hordes of runners from previous years (we were generally all running at a socially distanced 2m from each other throughout), there were always lots of other runners surrounding me as well.

One advantage of the altered route this year was getting to see the elite runners on their return leg, as my wave was heading outwards. During my first couple of miles, I saw the elite women coming up to the finish, then shortly after the elite men, and then the other side of the carriageway began to fill up with the mass of other runners like me.

As well as the crowds, runners themselves were cheering each other on, whether it was those passing in the other direction, those in crazy-but-amazing costumes (I spotted Marge Simpson, the Queen of Hearts, Three Little Pigs - who'd been interviewed on the news that morning, Mario & Luigi, a lion, and many more), those running for the same charity, or those who just looked like they needed the encouragement. I joined in of course. We also got to high-five the crowds, do the iconic run across the Tyne Bridge not once but twice, waive at the big screen at the halfway turnaround, and take full advantage of the acoustics as we ran under the motorway overpass ("Oggy! Oggy! Oggy!" "Oi! Oi! Oi!").

I'd resolved not to set myself a target time, and to just enjoy the race at whatever pace felt good. And I pretty much did. I didn't look at my watch at all for the first couple of km. When I did, I found I was averaging about 4:45 per km, which surprised me. I'd typically been doing about 5:10 per km during training runs, but the energy you get from the atmosphere at an event always make you go a bit faster, as does the push you get from having other runners around you. I was going fast - too fast for a very long run, but manageable over a half marathon. I kept an eye on my pace after that, preparing to back off a little if I found myself pushing too hard.

Lots of people (including elite runners) said what a hilly course it was. Pah! These people have clearly never been running in Sheffield! What it was, was undulating pretty much throughout. This brought its own challenges. Your mind is working hard, as well as your body, in an event like this. While I was enjoying the crowd, I was also constantly having to pick my path around other runners; be aware of my pace, energy and any aches or niggles; as well as keep track of taking in sensible amounts of water and sugar. In that state of mind, it was easy not to notice when a downhill slope gently turned into an uphill slope. (Yes, it was so not hilly, I almost didn't notice some of the hills, ha!) When you find yourself still doing a downhill pace on an uphill, you need to ease off!

That's not to say it wasn't hard work. It was. I was putting a lot of effort in, and I've got the stats to prove it! My point is I got caught up in the moment and was enjoying it all the way round (even when it started raining towards the end). Having been training for a full marathon gave me a fitness level and a confidence to stretch myself over a half. It was only towards the finish, once the inclines got steeper and the route wound its way uphill back into the city centre and towards the Town Moor, that I found myself struggling and wanting to slow down.

By this point, though, I'd realised I was on target for achieving a long-term running goal - a sub-100-minute half marathon. So I pushed on. Those last couple of miles were incredibly hard work. My heart rate stats show I was averaging 184 beats per minute at that stage (which is pretty much maximum effort and not sustainable), versus a more sensible 164 beats per minute for the rest of the route, up until that point. I cheered along with everyone around me as I came up to the finish line, crossing it with over 80 seconds to spare! I leapt over the line and punched the air in triumph!

(Then immediately had to dart sharply to the right to avoid the runners in front, who'd come to a dead stop, while I still had forward momentum... Never mind, it didn't ruin the moment too much!)

My time was 1:38:36, over 3 minutes faster than my previous PB. On reflection, I shouldn't have been that surprised. I'd been training for a marathon, had the boost from a mass event and it was the least hilly such mass event I'd done. But I'm still very, very pleased with that result.

It all seemed to be over way too soon (Maybe I should've run slower!). I collected my goody bag, posed for my finishing photo, and made my way over to the NAS charity tent, where snacks and drinks awaited. I spent a while nattering there with the volunteers and other runners (It felt very strange that some had finished, like me, while others were still waiting to be called to the start line). Then I watched a bit of the race from the sidelines on my way back to my hotel, had a quick shower and change, then caught the train back to Sheffield.

One down... two to go. I don't expect to set the same kind of pace for the remaining runs. The Sheffield Half Marathon (as mentioned) is hillier, and I'll be wanting to make sure I don't knacker myself a week before the London Marathon. For that one, I don't feel quite as well prepared for the distance as I did for the Yorkshire Marathon in 2019. My aims are simple - get to the end; don't die!

My legs were sore on Monday, but by Tuesday I was back out there running 6k in preparation for the next event. Wish me luck, and keep the sponsor money coming! :o)

rich_jacko: (River Tam XKCD)
Cinemas are back - yay! It's been far too long (8 months!) since I last did one of these, but I've been making up for lost time since they reopened on 17th May:

The Human Voice - A short (30-minute) film based loosely on a 1930s stage play. Tilda Swinton is pretty much the only performer (besides a dog), and this is more-or-less a continuous monologue of her speaking on the phone to the husband who abandoned her, as she wanders through her flat, going slowly mad. Is her husband even on the other end of the phone? She lies, she fantasises, she entreats, she rants, she does reckless things. It's all slightly bonkers, and the fact we see her apartment is shot in a stage set adds to the surreal feeling. Be honest, who doesn't want to see Tilda Swinton being melodramatically bonkers for half an hour uninterrupted? The cinema version was followed by an entertaining interview of Tilda Swinton and director Pedro Almodóvar by Mark Kermode.

Nomadland - This year's big Oscar-winner. Frances McDormand stars as Fern, who lives in her van, drifting from place to place, since her husband died. Fern is largely estranged from her family, but makes friends in the places she settles briefly, and has ongoing friendships with other nomads she meets again and again along her way (many of whom are played by real-life nomads). There's not much of a story to this film, but it's an interesting insight into a different way of living, with all of its joys, freedom, trials and tribulations. There are also some beautiful vistas, which is why its star implored audiences to watch it on the big screen. Best Picture? Maybe not, but still well worth checking out.

Judas and the Black Messiah - Set in 1968 and based on a true story, this is a film full of energy and political outrage, still all-too-relevant today. Con artist Bill O'Neal (LaKeith Stanfield) is coerced by FBI agent Roy Mitchell (Jesse Plemons) to spy on black rights activist Fred Hampton (Daniel Kaluuya), a Black Panther Party leader and thorn in the side of the Bureau's white supremacy agenda. What follows is a journey through the personal and political struggles of the two black men, as O'Neal wrestles between his sympathy with Hampton's ideals and protecting his own skin, while Hampton juggles his cause, his personal life and the hostility of the state levied against him. Hampton's family collaborated on the film, which is bookended with real life archive footage. Recommended.

A Quiet Place: Part II - The original A Quiet Place is one of my favourite horror films of recent years, with a great (yet absurdly simple) concept, strong performances, lots of tension and more than a shade of Aliens. The sequel is... more of the same. It lacks the freshness of the first installment, but the quality is still there. Emily Blunt continues to be a strong lead, trying to get her family to a new place of safety. Millicent Simmonds puts in another striking performance as her deaf daughter. Cillian Murphy and Djimon Hounsou also join the cast this time. An action-packed flashback opening gives way to drama filled with suspense - How close are the monsters? Who can you trust? It's tightly plotted, coming in at just 97 minutes, but with an ending left wide open for Part III. That may be no bad thing...

Raya and the Last Dragon - Raya (Kelly Marie Tran) is not your typical Disney princess - a lone warrior, travelling a post-apocalyptic wasteland, on a desperate quest to restore a lost kingdom. Sisu (Awkwafina) is not your typical dragon - ditzy, eager to make friends and an excellent swimmer. Together, this pairing star in the best Disney cartoon in ages, a gorgeous-looking epic, based (very loosely) on South East Asian folk tales, with a strong (yet unshmaltzy) message about different peoples coming together and learning to trust one another. It's packed with action, humour and heart, and doesn't just pass the Bechdel Test with flying colours, but reverses it (I think) by never having two male characters talk about something other than a female character. A (dragon) breath of fresh air.

Nobody - From the makers of John Wick, this is similar fare. You know you shouldn't mess with John Wick's dog. A similar warning should be attached to taking Hutch Mansell (Bob Odenkirk)'s daughter's stuff, or upsetting him while he's on the bus. Because while Bob appears to be a meek nobody, he's actually a retired, highly-trained assassin. Before long, events around Hutch have escalated to the point where his family are in hiding and he's taking on the Russian mafia. Cue an avalanche of brutal, over-the-top, blackly comic violence over an impressively tight 87-minute running time. Christopher Lloyd has an excellent small role as Hutch's father. If you want an idea of the type of film this is, you can get it from the exchange: "You brought a lot of shotguns." "You brought a lot of Russians."

Luca - Pixar's latest is a light-hearted romp set in a small seaside town in 1950s Italy. Luca and Alberto are two runaway boys, who team up with a local girl to enter the town triathlon (swimming, cycling, pasta-eating), beat a local bully and win enough money to fulfil their dream of owning a Vespa. A small snag being that the boys are secretly sea monsters, and getting wet causes them to revert to their true selves. And the locals fear and hunt sea monsters. This literal fish-out-of-water story isn't one of Pixar's most ground-breaking or memorable. It's a light-hearted coming-of-age tale (tail?) full of whimsy and old-fashioned charm, hardly a must-see but you won't regret watching it. It gets bonus points for including a scene in which two dorky kids bond over a book about space. Also, stay for the credit cookie, yesss...

The Reason I Jump - Based on the book of the same name (subtitled "One Boy's Voice from the Silence of Autism") by Naoki Higashida, who is autistic and non-verbal, this is a documentary following several young people from across the world with similar conditions, interspersed with quotes from the book, interviews with family members, and occasional close-up shots to convey the sensory overload autistic people sometimes experience. It's a thought-provoking insight. It's astonishing to see people with such limited verbal skills express such complex thoughts and opinions, when given the ability to do so through charts, and will change the way you look at this type of disability. Of all the individual stories covered, that of a special needs school in Sierra Leone (where autism is still often seen as a sign of demonic possession) stuck with me the most.

Supernova - The first of two films on the trot about living with Alzheimer's, and the impact on those closest. The two are very different though. Supernova is a simple story about a couple facing up to loss - for Tusker (Stanley Tucci), the gradual loss of his mental faculties; for Sam (Colin Firth), the impending loss of his partner. Although a visit to Sam's family features for part of the film, it's largely an extended break-up conversation between the two leads, with Tusker not wanting to be a burden but Sam determined to see things through to the end. It's shot as a road trip, as the two revisit past haunts, but it feels more like an intimate stage play, low-key and poignant.

The Father, on the other hand, is actually based on a stage play, but is a far more complex affair. It's a look at Alzheimer's from the inside, which possibly makes it one of the scariest films ever made. Anthony Hopkins plays, er, Anthony, a man struggling to remember where he is, paranoid about frequently misplaced items, unable to always match faces to the right people, or recall events in the right order. We see his life as he sees it, in a tangle of confusion which only gradually comes to make a tragic sort of sense. Olivia Coleman plays his daughter, Anne, with Mark Gatiss, Imogen Poots, Rufus Sewell and Olivia Williams rounding out a strong cast in roles which aren't often what they first seem. The Father has been rightly heaped with acting plaudits, but it's the cleverness with which playright Florian Zeller unfolds and refolds the narrative which makes this film stick with you.

Black Widow - I've been missing my regular dose of Marvel IMAX action. The TV shows have helped ease the wait, but they're nothing next to big screen, big action, big budget spectacle like this. Even without the pandemic, a solo outing for Natasha Romanoff (Scarlett Johansson) was long overdue. Not entirely solo though, as her whole family (Florence Pugh, David Harbour and Rachel Weisz) are along for the ride. The chemistry between these characters is great and makes the film a lot of fun, despite its pretty dark subject matter. An intriguing flashback intro leads into a pitch-perfect opening title sequence, before unfolding into a globe-trotting mission involving spies, mind control, what went down that time in Budapest, lots of running away from explosions, and a supervillain (Ray Winstone) who clearly hasn't read the Evil Overlord's Handbook. This is a superb Bond-esque espionage thriller (there's even a clip from Moonraker at one point), marred only by the perennial problem of far too much jerkycam. That's a small gripe when a film is as enjoyable as this. Welcome back to the cinema, Marvel.
rich_jacko: (TFs 2007)
My latest Lego project: Grimlock, by far the greatest Transformers character, in Lego form!

This monster uses 1,244 Lego pieces. He measures 36cm tall in robot form and 53cm from nose to tail in dinosaur form. I tried to keep his transformation close to the toy; there are some modifications but I was pleased to make him able to transform without needing to remove and replace any Lego pieces in the process.

The model has 58 points of articulation all told, most of which enable him to transform, but some also allow him to pose (moving the leg, arm and finger joints in both forms, as well as allowing both heads to turn and the T-Rex jaws to flex).

I'm rather pleased with the way he turned out. This was a very different building challenge to most of my own builds of recent years, which were mainly about constructing my Lego cityscape. This was much more of a technical challenge (especially the centre of the body, and working out how it was all going to fold), involving functionality, more organic shapes and working at a different scale to normal.</td>

Here he is again, alongside his original toy counterpart, for comparison:
rich_jacko: (Union Jack)
The death of Prince Philip today is a sad moment.

It should hardly come unexpected - after all, he was only two months off his 100th birthday and had recently spent a month in hospital. But it feels somehow like the passing of an age. As a public servant, seeing Operation Forth Bridge launching into action really brought home to me the significance of his passing for our nation. Some parts of the plan have clearly been updated very recently (covid measures); others were just as clearly written a long time ago (guidance on what hats government staff should wear if out on official business during the mourning period).

I was and remain a fan of the Duke - for his pioneering campaigning work as president of the WWF and for his establishing the Duke of Edinburgh award, as much as for his lifetime of public service, modernising the Royal family and being "strength and stay" to HM the Queen for 73 years. Yes, he came out with the occasional inappropriate comment, but there never seemed to be any malice in it and it shouldn't overshadow all the good work he did. The BBC's obituary of him is a very good summary of a remarkable (and at times, contradictory) life in the public eye.

The photos below are taken from the one time I saw the Duke - during the Queen's Diamond Jubilee tour in 2012.
rich_jacko: (Rey & BB-8 by Brian Kesinger)
Also posted to That Facebook:

So... I seem to have entered the Great North Run. And the Sheffield Half Marathon. And the London Marathon. All within 3 weeks of each other. Oops.

This is going to be a big challenge and I'll be running to raise money for the National Autistic Society, a charity close to my family's hearts. So I am badgering you to sponsor me and donate to this very worthwhile cause. My fundraising page is here:

https://www.justgiving.com/fundraising/Richard-Jackson77

Why yes, I am shamelessly using the fact that it's World Autism Awareness Week this week to try to squeeze more money out of you! Why do you ask?
rich_jacko: (Union Jack)
I watched the Meghan and Harry interview last night. I know a lot of people aren't interested, and I'm not completely sure why I am. I guess I'm a bit of a sucker for royal news and all things constitutional. The following are a few reactions I had (expanding on a comment I posted earlier on That Facebook):

My overall impression was one of sadness that they felt the need to drag a family feud out in public. We didn't need to know there was a time Prince Charles wasn't returning Harry's calls, or that Meghan and Kate had a brief falling out over dresses for flower girls (You said you forgave her and would never want to raise it in public, so why are you raising it in public?). They say they want to mend bridges, but airing these things can't possibly help.

The mental health and racism issues were much more serious, and did need to be brought to light. Most of the criticism was aimed at palace officials rather than the royals themselves. It certainly feels like there should be an investigation into this. Again, it was sad that the couple didn't feel they could turn to any of the family for help - especially given the amount of work Prince William in particular has done to raise the profile of mental health issues.

The unnamed royal commenting on what colour Archie's skin would be is a tricky one, where it feels we need to hear the other side. The context was unclear. Was it intended as "the media are going to obsess over this, so you need to be prepared to deal with that," or was it something more sinister?

The institutional lack of support was obvious though. I was also sad about the awful press treatment of certain women in the royal family (and it is always the women), and noted the irony of this being broadcast on International Women's Day. It's probably right that the palace has never got involved in a media tit-for-tat, but it's hard not to imagine something could have been done to challenge the worst of the journalistic behaviour.

Overall, Meghan and Harry mostly came across sympathetically and it was nowhere near as cringe-worthy as that awful 1995 Diana interview, but it was still an exercise in media manipulation and only one side of the story. What they said deserves to be taken seriously, but we shouldn't jump to too many conclusions.

Some of it didn't quite ring true. Removing their security was presented as family pettiness, but that security is taxpayer-funded, so there will have been wider considerations. Archie not being a prince was portrayed as a personal snub, but it reflects a long-term trend of scaling back royal titles and the civil list - William and Kate's children are in the direct line of succession, but none of the Queen's other great-grandchildren have titles, nor do Princess Anne's children.

The bits where the interview was dumbed down for the US audience were annoying, such as Oprah's fake astonishment at the "revelations" the royals can't just do whatever they want, and that the media have a lot of influence over them. Though I do wonder how the anti-royal brigade will square Meghan's description of a restrictive, hard-working and emotionally brutal life with their perception of the royals as a bunch of lazy freeloaders.

There were lighter moments. It was nice to hear how warmly Meghan was welcomed in at first, and I loved the anecdote of how she first met the Queen, wasn't expecting to, and had to be given a hasty lesson in how to curtsey by other royals. They were both full of praise for the Queen. (No one ever has anything bad to say about HMTQ!) Their reflections on parenthood were charming too.

I am still a little baffled though, as to why a couple claiming to try to escape the public eye and protect their son would move to LA, start a media company and name it after him.
rich_jacko: (eclipse)
This is normally the point when I'd post a round-up of the year that's gone, but I think I've documented this one quite enough through my weekly lockdown diaries - a habit I wasn't expecting to need to keep for more than 12 weeks, yet here we are, 41 weeks later with at least another 14 to go (and probably a lot longer).

I did consider writing a list of 20 good things about 2020, but I find I'm just not in the mood for it today. I started, but my list was mainly just small reliefs from one form of ongoing misery or another. And for its (hopefully!) final act of aggression, with only an hour to go, 2020 is going to take away my right to freely live, work and study in thirty other European countries. For that and everything else, it doesn't deserve any positive commentary. Instead, I'm simply going to say good effing riddance to you, 2020. Don't let the door hit you on the way out. Actually do. Hard. I hope you fall down the stairs as well.

I'd also normally take this opportunity to set out my plans and ambitions for the coming year. Except I haven't made any, because it seems a pointless exercise in the current situation. I really only have one hope for next year, and that's to get some semblance of my life back at some point.

So, there are no parties. I'm having an early night. And as I log off, I say to 2021, please be kinder to everyone and do not let us all down!
rich_jacko: (Harry Potter)
I really can't use last year's excuse of life getting in the way, but I've read surprisingly few books during this strangest of years. Possibly because my mental health's not been great for a lot of the year, and I've found it hard to concentrate. I have also been spending far more time outdoors than in a normal year - when you feel trapped at home, going out for a long walk or run seems more appealing than sitting inside reading.

I did read a ridiculous number of ridiculous graphic novels involving ridiculous franchise crossovers. Special mention for He-Man/Thundercats, which was actually really good, and Star Trek vs. Transformers, which was really, really silly.

As for actual "proper" books, this year I've read barely more than one a month. Shocking! These were:

  • The Book of Dust: The Secret Commonwealth (Philip Pullman) - There's some interesting stuff as Pullman continues to explore his world, but it feels slightly aimless. There's no getting away from the fact Lyra has already done by far the most significant thing she will ever do, and it's sad to see what's become of her and Pan.

  • Good Omens (Terry Pratchett & Neil Gaiman) - a re-read after seeing the TV adaptation. Still brilliant. A collaboration between two of my favourite authors that's every bit as much as the sum of its parts.

  • The Testament of Loki (Joanne M. Harris) - A post-Ragnarok sequel to a retelling of the Norse legends I read last year. Loki escapes the underworld via a videogame and gets trapped in the body of a teenage girl. No, really. It kind of works though.

  • Ancillary Justice/Ancillary Sword/Ancillary Mercy/Provenance (Ann Leckie) - I felt privileged to read all four books (a trilogy followed by a standalone novel) in this sci-fi saga back-to-back. Epic in scope, packed with spaceships, intrigue and conflict, while also thought-provoking and questions what it is to be human.

  • The Ickabog (JK Rowling) - A fairy tale in the Grimm tradition, described by its author as "a story about truth and the abuse of power". It also has a great drinking song. And is for young children. Proof again that (when she isn't being deranged on Twitter) JKR is quite brilliant.

  • The Book of Sheffield (edited by Catherine Taylor) - A collection of short stories from the Steel City. A real mixed bag. Some are instantly recognisable as the Sheffield I know, others a Sheffield I've never experienced. Some are just pretentious and weird.

  • The Lego Book (Daniel Lipkowitz) - Non-fiction. Borrowed from Dan. Filled in a few gaps in my knowledge of the history of Lego, particularly during those wilderness years when I was too old to be given it and too young to be able to afford to buy my own :o)

  • The October Man/False Value (Ben Aaronovitch) - A short story (set in Germany with alternative characters) and the next full instalment of the "Rivers of London" series. Still amazing. Supernatural crime fiction that's wonderfully geeky and down-to-earth at the same time.

  • Idol Scribblings Volume Two (Hannah Hudson-Lee) - More gods, ancient and modern (including one suggested by me!) from the extremely talented Hannah. I'm going to plug her blog again. Here's to Volume Three!

  • Serpentine (Philip Pullman) - I got more from this tiny, beautifully-illustrated short story than I did from the whole of "The Secret Commonwealth". More like this please!

  • Star Wars Myths & Fables (George Mann) - What it says, a collection of legends from the Star Wars galaxy. Some are better than others. Spotting the possible links to familiar characters and places is kind of fun, as is trying to figure out how much canonical "truth" there is in each tale.
rich_jacko: (Christmas markets)
To quote one of my favourite Christmas songs, we live in troubled days, we (certainly) have the strangest ways, we've had our share of tears, and it's been a long, hard year.

Hope you all manage to find some festive joy and calm, wherever you are and whatever you are doing or not doing this Christmas. Do not stress. Do not expect things to be perfect. Just be kind to those around you and to yourselves.

Peace and goodwill to all.

Christmas 2020 Lego pic
rich_jacko: (River Tam XKCD)
It's been a good time lately for films with female protagonists (and we haven't even got to Wonder Woman 1984 or Black Widow yet). Before the cinemas closed again, I went to see four films with very little in common, other than they all have female leads:

Saint Maud - An intriguing and highly original British horror film. Maud (Morfydd Clark) is a devoutly Christian nurse, providing end-of-life care to hedonistic ex-dancer Amanda (Jennifer Ehle) and takes it upon herself to save Amanda's soul. But Maud is not who she seems, and her obsession leads to a crisis of faith, which turns her into a danger to herself and others. As we're drawn further into Maud's life, we start to see the world as she sees it, but writer/director Rose Glass never feels the need to over-explain. Great performances and a gradual ratcheting up of the madness make this a tense, intelligent and psychological chiller. Recommended.

I am Greta - This fly-on-the-wall documentary is obviously all about Sweden's most famous teenager, but Greta Thunberg would be the first to say the attention should be on climate change rather than herself. Her life is certainly not celebrity glamour, whether she's waiting on windswept train platforms at night, peeing in a bucket on a tiny boat in the Atlantic, or being told by her dad she's not allowed on stage until she's eaten a banana. The famous moments before world leaders (from "I want you to panic" to "How dare you?") are all there, but it's the candid insights behind the scenes, how she copes with her Asperger syndrome, her support from her family, which are more interesting. A favourite moment was her dad exasperated at her determination to fix all the grammar in her speech (in English and French, neither of which are her native language), even though no one else will see it in writing. I think I admire her even more now.

Pixie - Two young guys (Ben Hardy and Daryl McCormack) have a plan to get rich from a bag full of MDMA which falls into their laps. But when anarchic, quick-thinking Pixie (Olivia Cooke) joins their scheme, they quickly find themselves out of their depth and wrapped around her little finger. Soon the trio are on the run from gangster priests and nuns (no, really) led by Alec Baldwin and having to deal with a body in the boot of the car, a hitman (Ned Dennehy) and Pixie's petulant brother (Turlough Convery). The Grauniad described it as "Father Ted-meets-Tarantino, with a smattering of Ferris Bueller and In Bruges", which is a fair summary. There's a bumbling, Irish charm which undercuts the snappy dialogue and Hollywood action, making for an experience which is fast, furious and a lot of fun.

Wolfwalkers - I have so much love for this little film. It's easy to forget how soulless CGI can feel until you see all the warmth, character, beauty and creativity of hand-drawn animation like this. The story centres around Robyn (Honor Kneafsey), the young daughter of a wolf hunter from England (Sean Bean) who has come to 17th century Ireland to help rid the country of wolves. But then she encounters Mebh (Eva Whittaker), a wild girl of the forest who is rumoured to transform into a wolf in her sleep. As the Lord Protector (Simon McBurney) hardens his opposition to such primitive superstitions and to the wolf population, Robyn finds herself torn between her father and the forest. The themes of man vs. nature and animalistic spirits reminded me a lot of Princess Mononoke. The animation style is quite different but, if anything, it has even more heart and soul.
rich_jacko: (Rey & BB-8 by Brian Kesinger)
With limited other options for things to do, I've been doing a lot of running lately. I hit targets of running 50K in June, 100K in July, 60K in August and 100K again in September. But this month has been The Big One.

In October, I have run 250K! (That's 155 miles in old money.)

That's by far the most I've ever run in a month outside of marathon training. It started out as a 100-mile (161K) challenge, then I upped it to 200K, then I upped it again when we went into Tier 3. I'm not likely to be doing that distance in a month again any time soon though. I was feeling achy and it was getting to be a chore for the last few days, but I'm glad I did it and proud of the achievement! :o)

I've had the benefit of (mostly) okay running weather, five Saturdays this month and the last week off work. I've mainly managed it by running to Oughtibridge and back before (not)parkruns, doing long runs on a Sunday and shorter runs two or three times during the week. The full breakdown, for the record, is:

  • Fri 2nd Oct - extended parkrun, 7K
  • Sat 3rd Oct - Ooty loop + (not)parkrun, 15K (running total 22K)
  • Sun 4th Oct - a random exploration around Wadsley Common and Loxley Valley, 16K (running total 38K)
  • Mon 5th Oct - parkrun route, 5K (running total 43K)
  • Wed 7th Oct - parkrun route, 5K (running total 48K)
  • Fri 9th Oct - reverse parkrun route, 5K (running total 53K)
  • Sat 10th Oct - Ooty loop + extended (not)parkrun, 16K (running total 69K)
  • Sun 11th Oct - Damflagden via Wadsley Common and back along Loxley Valley, 23K (running total 92K)
  • Tues 13th Oct - extended parkrun route, 8K (running total 100K)
  • Thurs 15th Oct - extended parkrun route, 6K (running total 106K)
  • Sat 17th Oct - Ooty loop + a double (not)parkrun, 20K (running total 126K)
  • Sun 18th Oct - Broomhill via the University, up over Manchester Rd and back along Rivelin Valley, 16K (running total 142K)
  • Tues 20th Oct - parkrun route, 5k (running total 147K)
  • Wed 21st Oct - extended reverse parkrun route, 6K (running total 153K)
  • Sat 24th Oct - Ooty via Worrall + extended (not)parkrun, 17K (running total 170K)
  • Sun 25th Oct - 4 parks run: Hillsborough, Longley, Concord and Firth, 17K (running total 187K)
  • Mon 26th Oct - extended parkrun route, 8K (running total 195K)
  • Tues 27th Oct - a reverse Ooty loop + a lap of Hillsborough Park, 11K (running total 206K)
  • Wed 28th Oct - around the top of Long Lane, through the Common, then back via Ooty and Beeley Wood, 16K (running total 222K)
  • Thurs 29th Oct - 4 laps reverse parkrun route, 7K (running total 229K)
  • Fri 30th Oct - 4 laps parkrun route, 7K (running total 236K)
  • Sat 31st Oct - shortened Ooty loop + (not)parkrun, 14K (final total 250K)

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